saxophone
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The Mystery of the Selmer Cigar Cutter Alto Saxophone in E
I always enjoy hearing feedback from saxophonists who like this historical project, but sometimes the feedback leads to more research. Yesterday, I received an email from Frank R. in the Netherlands. Frank informed me he is the owner of a Selmer Cigar Cutter saxophone tuned in E. The saxophone also has an additional stamp, AD,…
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The Jazz Operas of W. Franke Harling
In 1925, composer W. Franke Harling (1887-1958) set out to make an opera that experimented with jazz. This concept made headlines across the musical world, “New American Music Drama of Redemption Utilizes’ Jazz” is just one example from Musical America.[1] What makes this opera unique is it premiered 10 years before the opera that is…
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Erwin Schulhoff’s Flammen returns to the stage 90 years after its debut
Czech composer Erwin Schulhoff’s only opera, Flammen is returning to the stage in the original Czech for the first time since its premiere in 1932. The opera is a part of the National Theatre of Prague’s Musica non Grata series—translation: unwelcomed music—“revives the artistic legacy of male and female composers important to the musical life…
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Discover Günter Raphael’s ballet, Jabonah
Günter Raphael’s (1903-1960) life was surrounded by war and upheaval. Born into a musical family in Germany, he entered the Hochschule für Musik in Berlin in 1922. In 1926 he became professor of composition and theory at State Conservatory and at the Kirchenmusikalisches Institut, Leipzig in 1926. But this was short lived. When Nazis assumed…
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A complete recording of Saint-Saëns’ Henry VIII now available
Odyssey Opera, a company based in Boston, MA, just released the very first complete recording of Saint-Saëns’ Henry VIII. You can find the 4 disc CD here. Henry VIII is a grand opera premiering at the Palais Garnier in 1883. The opera was incredibly popular at the time, with performances at the Royal Opera House…
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A Saxophone oratorio? Listen to Wladimir Vogel’s 1930 oratorio, Wagadus Untergang durch die Eitelkeit
When I started making the list of operas and ballets in the database, I did not include oratorios for one simple reason, the saxophone wasn’t used in oratorios. There’s an exception here and there (Massenet has an oratorio in this database) but for the most part, the oratorio excludes the saxophone. Imagine my surprise when…
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Watch the premiere of “The Time of Our Singing,” featuring Saxophonist Mark Turner
Belgian composer and jazz pianist Kris Defoort premiered a new opera last month, The Time of Our Singing. This opera is based on Richard Powers’ 2003 novel of the same name which tells the story of a mixed raced family growing up during racial segregation in America. This production is staged by the Belgian opera…
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The publisher Edward B Marks Music Company is now in the database, home to Darius Milhaud and William Bolcom
As I keep searching, new works by notable composers get added to the database. The publisher Edward B Marks is home to American composer William Bolcom and includes Bolcom’s collaborations with Darius Milhaud. Milhaud’s output for this publisher is unique, as it includes new arrangements of existing operas and plays. The first work in this…
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How opera is instrumental to the “Évolution” of vibrato
For saxophonists, playing with vibrato is second nature in classical performance. But up until the 1920s, most saxophonists played with an even tone. Vibrato on the saxophone was limited to jazz saxophonists and vaudeville stars. In 1928, Marcel Mule was in rehearsal for Edouard L’Enfant’s ballet, Évolution and he had a breakthrough. What if he…
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The Jazz Problem: the shifting image of the saxophone in the 1920s
A couple of years ago, I picked up an old copy of The Etude from July of 1924. The editorial in that issue promised the next issue would be dedicated to jazz. I was one month too early. Luckily, the August 1924 issue is archived online. This issue is a great resource for jazz and…
the Operatic Saxophone 