Erich Wolfgang Korngold’s Die Kathrin; the jazz age opera Nazi’s tried to destroy

Erich Wolfgang Korngold is one of the most celebrated late romantic composers in the 20th century. A child prodigy whose brilliance was celebrated by Mahler and Richard Strauss, Korngold wrote his first opera, Die tote Stadt at the age of 23. Korngold was committed to late romantic harmony, he was unmoved by the new stylesContinue reading “Erich Wolfgang Korngold’s Die Kathrin; the jazz age opera Nazi’s tried to destroy”

The Unexpected Operas of Alexander Zemlinsky

Alexander Zemlinsky is a pivotal figure in the early 20th century. First discovered and promoted by Brahms, Zemlinsky established himself as one of the leading conductors and teachers in Vienna and throughout German speaking countries. Zemlinsky taught all of the Second Viennese School composers—Schoenberg, Berg, Webern—along with other Viennese composers. As a composer, Zemlinsky’s styleContinue reading “The Unexpected Operas of Alexander Zemlinsky”

Nazis, Napoleon, and the Saxophone, how Edmund von Borck’s 1942 opera, “Napoleon” is the perfect wartime propaganda

Last month, Jonas who is a saxophone student in Norway, wrote to me to tell me about Edmund von Borck’s operas and how they were missing in my list. He pointed to Dr. Wildy Zumwalt’s dissertation on Edmund von Borck and how I can find more info there. The opera that stood out to meContinue reading “Nazis, Napoleon, and the Saxophone, how Edmund von Borck’s 1942 opera, “Napoleon” is the perfect wartime propaganda”

Kommisar Rondart, the opera that led Sigurd Rascher to Edmund von Borck

All of the entries in my database have one thing in common, they all received a premiere, if not on an opera stage, then as an orchestral work. This opera defies that simple distinction, it never premiered on the stage. Despite that absence, Kommisar Rondart by Edmund von Borck is essential to saxophone history, asContinue reading “Kommisar Rondart, the opera that led Sigurd Rascher to Edmund von Borck”

1855 Italian opera, L’ebreo, how did the saxophone get in the score?

I searched through the website ilsaxofonoitaliano.it and found one of the oldest works for saxophone in Italian repertoire: the 1855 Giuseppe Apolloni opera, L’ebreo. There is little information about the saxophone, so I went to find out more about this work and how the saxophone became a part of the opera. Looking at my database,Continue reading “1855 Italian opera, L’ebreo, how did the saxophone get in the score?”

Il Saxofono italiano is now in the database, listen to the Italian Saxophone

One area of opera I was missing in my database was early Italian opera. The earliest opera I found that used the saxophone was Giaccomo Puccini’s Turandot. Is this really the first Italian opera that used the saxophone? I knew I was missing some works. I was getting ready to dig into Italian opera featuringContinue reading “Il Saxofono italiano is now in the database, listen to the Italian Saxophone”

Saxophonist Steve Lacy’s opera “The Cry” is now in the database

Saxophonist Steve Lacy (1934-2004) is one of preminent players of the soprano saxophone, first starting in Dixieland then branching out to the works of Thelonious Monk. Later in his career, he traveled extensively focusing on chamber works and free improvisation. In 1996 during a residency in Berlin, he wrote The Cry, a jazz opera basedContinue reading “Saxophonist Steve Lacy’s opera “The Cry” is now in the database”

Orlando by Olga Neuwirth wins the Grawemeyer Award

Austrian composer Olga Neuwirth won the 2022 University of Louisville Grawemeyer Award for Music Composition. Neuwirth received the award for her opera, Orlando, which premiered at the Wiener Staatsoper in 2019. Orlando was the first opera written by a woman to be staged at the Wiener Staatsoper it’s 150 year history. Olga Neuwirth has threeContinue reading “Orlando by Olga Neuwirth wins the Grawemeyer Award”

Watch the premiere of “The Time of Our Singing,” featuring Saxophonist Mark Turner

Belgian composer and jazz pianist Kris Defoort premiered a new opera last month, The Time of Our Singing. This opera is based on Richard Powers’ 2003 novel of the same name which tells the story of a mixed raced family growing up during racial segregation in America. This production is staged by the Belgian operaContinue reading “Watch the premiere of “The Time of Our Singing,” featuring Saxophonist Mark Turner”

The publisher Edward B Marks Music Company is now in the database, home to Darius Milhaud and William Bolcom

As I keep searching, new works by notable composers get added to the database. The publisher Edward B Marks is home to American composer William Bolcom and includes Bolcom’s collaborations with Darius Milhaud. Milhaud’s output for this publisher is unique, as it includes new arrangements of existing operas and plays. The first work in thisContinue reading “The publisher Edward B Marks Music Company is now in the database, home to Darius Milhaud and William Bolcom”